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Love Me Tonight

Maurice Chevalier (Actor), Jeanette MacDonald (Actor), Rouben Mamoulian (Director) Rated:
Unrated
Format: DVD
4.4 4.4 out of 5 stars 162 ratings
IMDb7.5/10.0
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Genre Musicals, Romance
Format Multiple Formats, Black & White, NTSC
Contributor Jeanette MacDonald, Elizabeth Patterson, George Marion Jr., Waldemar Young, Joseph Cawthorn, Robert Greig, Myrna Loy, Paul Armont, Charles Butterworth, Maurice Chevalier, Ethel Griffies, Samuel Hoffenstein, Bert Roach, C. Aubrey Smith, Charles Ruggles, Rouben Mamoulian, Blanche Friderici, Lopold Marchand See more
Language English
Runtime 1 hour and 29 minutes
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Product description

The best movie musical you've never heard of is "Love Me Tonight", a deliciously clever 1932 Rodgers and Hart romp. The film opens with a tour de force, as the rhythmic sounds of a Paris morning morph into music and we meet a humble tailor (Maurice Chevalier) whose future looks bright. At least he thinks so. And then the great song "Isn't It Romantic?" kicks in, introduced by Chevalier but immediately handed off to client, cab driver, and a series of tune-carriers who finally bring the catchy melody to a dreamy princess (Jeannette MacDonald). It's probably the giddiest sequence in a very fun film, and "Isn't It Romantic?" would continue popping up in Paramount movies for years (Billy Wilder was especially partial to it). The humble tailor must travel to the princess's chateau to collect a bill from family playboy Charlie Ruggles, which puts Chevalier in pleasant proximity to MacDonald and saucy Myrna Loy. It also brings forth more Rodgers and Hart goodies: the classic "Lover" (a great romantic waltz played here as a lark), "Mimi," and the title song. Rouben Mamoulian directed, in the full stride of his early-sound creativity (this was just after his "Dr. Jekyll and Mr. Hyde"), using a variety of effects that look positively New Wave. Chevalier and MacDonald are a delight together (by all means see them in "The Love Parade" and "One Hour with You", too), and Charlie Butterworth has some glorious moments as a prospective MacDonald suitor. Also worth the price of admission: the spectacle of crusty character actor C. Aubrey Smith singing. "--Robert Horton"

Amazon.com

The best movie musical you've never heard of is Love Me Tonight, a deliciously clever 1932 Rodgers and Hart romp. The film opens with a tour de force, as the rhythmic sounds of a Paris morning morph into music and we meet a humble tailor (Maurice Chevalier) whose future looks bright. At least he thinks so. And then the great song "Isn't It Romantic?" kicks in, introduced by Chevalier but immediately handed off to client, cab driver, and a series of tune-carriers who finally bring the catchy melody to a dreamy princess (Jeannette MacDonald). It's probably the giddiest sequence in a very fun film, and "Isn't It Romantic?" would continue popping up in Paramount movies for years (Billy Wilder was especially partial to it). The humble tailor must travel to the princess's chateau to collect a bill from family playboy Charlie Ruggles, which puts Chevalier in pleasant proximity to MacDonald and saucy Myrna Loy. It also brings forth more Rodgers and Hart goodies: the classic "Lover" (a great romantic waltz played here as a lark), "Mimi," and the title song. Rouben Mamoulian directed, in the full stride of his early-sound creativity (this was just after his Dr. Jekyll and Mr. Hyde), using a variety of effects that look positively New Wave. Chevalier and MacDonald are a delight together (by all means see them in The Love Parade and One Hour with You, too), and Charlie Butterworth has some glorious moments as a prospective MacDonald suitor. Also worth the price of admission: the spectacle of crusty character actor C. Aubrey Smith singing. --Robert Horton

Product details

  • Aspect Ratio ‏ : ‎ 1.33:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ Unrated (Not Rated)
  • Product Dimensions ‏ : ‎ 7.75 x 5.5 x 0.5 inches; 3.59 ounces
  • Director ‏ : ‎ Rouben Mamoulian
  • Media Format ‏ : ‎ Multiple Formats, Black & White, NTSC
  • Run time ‏ : ‎ 1 hour and 29 minutes
  • Release date ‏ : ‎ November 25, 2003
  • Actors ‏ : ‎ Maurice Chevalier, Jeanette MacDonald, Charles Ruggles, Charles Butterworth, Myrna Loy
  • Studio ‏ : ‎ Kino Video
  • ASIN ‏ : ‎ B0000UX4V2
  • Writers ‏ : ‎ George Marion Jr., Lopold Marchand, Paul Armont, Samuel Hoffenstein, Waldemar Young
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.4 4.4 out of 5 stars 162 ratings

Customer reviews

4.4 out of 5 stars
4.4 out of 5
162 global ratings

Top reviews from the United States

Douglas M
5.0 out of 5 stars A Landmark Musical
Reviewed in the United States on February 1, 2006
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Another perfect film is now readily available on DVD. This film is widely recognised as one of the best musicals ever. It combines a superb Rodgers and Hart score with the subtle sexy humour of Ernst Lubitsch and the visual flair which Rouben Mamoulian, the director, brought to so many of his films.

Maurice Chevalier plays a tailor who meets princess Jeanette MacDonald when he visits her castle to collect outstanding debts from Charlie Ruggles. Macdonald is a widow who keeps fainting not from "wasting away" as the doctor diagnoses, but "being wasted". Macdonald falls for Chevalier and after a few plot devices which will keep them apart because he is a commoner, they reunite to live happily ever after. If the story sounds like a fairy tale, it is but that does not detract from the enchantment of the piece.

Chevalier plays his usual charming self and Macdonald is sexy and funny in a way she rarely showed with Nelson Eddy. Myrna Loy is ravishing as her nymphomaniac cousin and this comes as a surprise to those who know her as the perfect wife. All of the supporting cast are memorable though Charlie Ruggles steals every scene in which he appears.

The score includes the incomparable "Mimi", "Lover" and "Isn't it Romantic". The commentary by Miles Kreuger is outstanding, avoiding mere biographical details and really giving us insight into the relevance of this film in 1932 and why it still stands up today. There is a lot of information about what was cut from the film when it was reissued, cuts which have been lost for ever at this date. The DVD print is excellent but there is quite a bit of background surface noise at times which can be distracting.
12 people found this helpful
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Elvin Ortiz
5.0 out of 5 stars Quite A HiddenGem
Reviewed in the United States on September 7, 2018
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I enjoy watching this musical comedy very much. Janette McDonald plays a princess and Chevalier plays a tailor. The story of a tailor who ends staying at a castle to win the heart of a princess has many funny moments and characters, including a horse race, a costume party, an irresponsible baron, three old ladies who are worried about their princess, among other things. What I love most about the film is the music and the songs. I've never seen anything like the scene with Isn't it Romantic? in any other musical film. This was quite original. Chevalier starts singing the song to his client, who continues singing as he walks out, and many other characters pick up the song or the tune, which is even played by a violinist. Something similar is done with Mimi. The romance may be a little dated (Whoever you are, whatever you are, wherever you are... I love you," said by the princess, but I like it that way.

The drawback in this DVD edition is not the content. Although I can enjoy this film in its entirety, its restoration doesn't compare to other classic films I've seen. Nevertheless, I can live without it. It is still worth watching.
5 people found this helpful
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James B. Mitchell
5.0 out of 5 stars The Best Ever Movie Musical
Reviewed in the United States on January 15, 2017
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Why is this the greatest movie musical?
1. It moves, as directed by Rouben Mamoulian (who later directed the original stage productions of Oklahoma and Carousel). Watch the opening number - Chevalier singing " Isn't It Romantic" in his Paris tailor shop, the song then picked up by passers-by, then by a taxi cab passenger who boards a train shared with a detachment of French soldiers who carry the song as they march through the countryside where it is picked by a group
of gypsies whose singing is overheard and picked up finally by a lovelorn Jeanette McDonald on a chateau balcony.
2. The score- Rogers & Hart at their best, including the Chevalier standard, "Mimi" and McDonald singing "Lover".
3. The supporting cast, including young Myrna Loy and "star" supporting actors of the time, Charlie Ruggles, C. Aubrey Smith, Charles Butterworth.
4. Prime 1930's Hollywood style double entendre, also McDonald as you have never seen her being measured by Chevalier for a new outfit.
5. Also 1930's style social commentary (Rodgers & Hart were upper Westside Manhattan liberals) concerning class distinctions- - even including a plug for humane treatment of animals.
So, take a break from those overblown artificial MGM extravaganzas and watch a musical which feels real.
for humane treatment of animals
22 people found this helpful
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Victor T.
3.0 out of 5 stars Incomplete
Reviewed in the United States on September 29, 2014
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This is a great movie. But be aware that 15 minutes are missing from this release, including one of the great songs by Rogers & Hart, Lover .
2 people found this helpful
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Jerry Warriner
5.0 out of 5 stars A film to treasure
Reviewed in the United States on November 30, 2020
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How can you miss with two great singing stars and a Rodgers & Hart score? The film's opening scenes are marvelous as one singer after another joins in on a rousing and groundbreaking performance of "Isn't It Romantic." R&H took a break from their Broadway chores to work on this and several other films. I consider this one the best of the lot. In 1990, "Love Me Tonight" was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

The Kino version of "Love Me Tonight" contains deleted scenes, audio commentary by Miles Kreuger, production documents, censorship records, and performances from Maurice Chevalier and Jeanette MacDonald in a short.
3 people found this helpful
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Mike McNally
5.0 out of 5 stars Very hard to overstate how awesome this movie is
Reviewed in the United States on March 21, 2022
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If you only watch the opening "Isn't it Romantic" sequences, you will have seen one of the best things you'll ever see on the screen. The cinematography is *amazing* throughout, with very clever uses of shadows from studio lights. Chevalier is perfect in the role, as are the supporting characters. Honestly it's a complete delight, like a really good cake that's got stuff in it you didn't expect, but that's delicious.
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Top reviews from other countries

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juliantomas
5.0 out of 5 stars Matnífica película musical de los 30
Reviewed in Spain on July 16, 2016
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Para todas aquellas personas que todavía son capaces de ver una película de los años treinta (del siglo pasado evidentemente) sin prejuicios y disfrutarla será una maravilla. Una de las secuencias iniciales en que una canción va pasando de boca en boca es cinematográficamente impresionante.
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ACB(swansea)
5.0 out of 5 stars Enchanting Musical Romance and Comedy
Reviewed in the United Kingdom on January 13, 2014
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The brilliant original opening depicting a dawn chorus of the sounds and sights of Paris awakening in the morning takes us straight to Maurice Chevalier (Maurice Courtelin) preparing to go to his tailor's shop epitomising the Parisian atmosphere singing 'That's the Song of Paree'. This is followed by a thrilling sequence in which the song 'Isn't It Romantic?' begins in his shop with rhyming dialogue accompanied by Bert Roach and is carried in a taxi to a train to a marching regiment to a gypsy violinist to Jeanette MacDonald (Princess Jeanette) at the Vicomte de Vareze's (Charles Ruggles) chateau. This musical chain already links Chevalier and MacDonald before they have even met. Maurice Courtelin pursues the Vicomte to his provincial chateau to collect unpaid debts. When he arrives he is introduced as a baron after rescuing the haughty Princess from her runaway carriage after she was bouncing along singing 'Lover' and he instantly falls in love with her as he sings the seductive 'Mimi' to her. The Princess's friend, the flirting Countess Valentine (Myrna Loy), has suspicions regarding the baron but is too busy chasing after him. Baron Courtelin charms the household (except the proud Princess). When everyone at the chateau finds the truth of his lowly occupation, he departs to the railway station to the strains of 'The Son Of A Gun Is Nothing But A Tailor'. Love wins in dramatic fashion at the end.

The delightful score by Rodgers and Hart is tightly woven into the witty screenplay. Much of the credit must go to producer-director Rouben Mamoulian who blended song, background music, character, plot and moving camera work with zoom lens and slow motion, never seen before, in clever ways to comment on the action. He commissioned Rodgers and Hart to write and record the score with both comic and romantic numbers before filming began, giving them the plot outline. Mamoulian was then able to choreograph the movements of his actors to the music as when Chevalier bounds up the steps of the chateau or, in the hunt scene, where horses and stags 'dance' to the rhythms of the soundtrack. Other songs were 'A Woman Needs Something Like That', 'Love Me Tonight' and 'The Poor Apache'.

A charming and innovative film with the production team experimenting successfully. The supporting cast are excellent. Richard Rogers called the film 'among the most imaginative screen musicals ever made' and Leslie Halliwell
declared, 'the most fluently cinematic comedy musical ever made'. The leads are on top form and this is arguably the best of the four films they made together. Magical and marvellous. The extras include details of the Hays censorship instructions for the film. The doctor's song and Myrna Loy singing 'Mimi' were cut as well as some pruning of the dialogue. Much of the latter has been restored in this DVD. Sound and visuals are excellent.
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Estragon
5.0 out of 5 stars Regieeinfälle für ein Dutzend Filme
Reviewed in Germany on October 3, 2013
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In letzter Zeit hat die Phase des frühen Tonfilms ein verstärktes Interesse erfahren. Lange galten die frühen 1930er Jahre in filmästhetischer Hinsicht als ziemlich unergiebige Zeitspanne, weil die schwerfällige Tonfilmtechnik und die Konzentration auf Gesangseinlagen und Ähnliches zu gravierenden Rückschritten gegenüber den Höhepunkten der späten Stummfimzeit geführt hätten. Die Filme der frühen Tonfilmzeit verschwanden weitgehend aus dem Blick. Heute zeigt sich, dass es in dieser Phase der Filmgeschichte durchaus vergessene Meisterwerke und bislang kaum gewürdigte Meisterregisseure zu entdecken gibt. Rouben Mamoulian ist einer von ihnen.

Mamoulian (1897-1987) wurde in Russland als Sohn reicher, kunstinteressierter Eltern geboren. 1923 kam er nach Amerika und wurde 1930 US-amerikanischer Staatsbürger. Gleich mit seinem ersten Film, dem Tonfilm »Applause« (1929), führte er vor, welche neuen Erzählmöglichkeiten das neue Tonfilmformat eröffnete, wenn man nur einem kreativen Kopf den Regiestuhl überließ. Mit seiner exzellenten Version von Stevensons »Dr. Jekyll and Mr. Hyde« (1931) hielt er spielend das hohe Niveau. Danach wechselte er erneut das Genre und inszenierte »Love Me Tonight« (1932). Bei diesem Film musste sich Mamoulian jedoch mit einem Meister messen: Ernst Lubitsch. Der hatte am Beginn der Tonfilmzeit mit »The Love Parade« (1929), »Monte Carlo« (1930) und »One Hour with You / Eine Stunde mit dir« (1932) drei erfolgreiche musikalische Romanzen vorgelegt, die alle – ganz Lubitsch-typisch – in Europa spielten und in denen das Dream-Team Jeanette MacDonald und Maurice Chevalier in den Hauptrollen zu sehen war. Und nun »Love Me Tonight«: Eine musikalische Romanze, die im alten Europa spielt und MacDonald/Chevalier in den Hauptrollen zeigt.

Um es kurz zu machen: Mamoulian löst die Aufgabe glänzend und vermeidet dabei vor allem den Fehler, sich als bloßer Lubitsch-Imitator zu versuchen. Natürlich bedient sich Mamoulian auch bei Lubitsch, aber ebenso übernimmt er beispielsweise Motive und stilistische Elemente aus René Clairs »Ein italienischer Stohhut« (1927) und »Unter den Dächern von Paris« (1930). Und damit längst nicht genug: Mamoulian brennt ein Feuerwerk an Einfällen ab, die er aus den unterschiedlichsten Quellen schöpft. Dabei bleibt der stilistische Wahnsinn erstaunlicherweise stets erzählungsdienlich und wird nie zum Selbstzweck. Mamoulian experimentiert mit dem Zoom, der Slow-Motion, mit extremen Untersichten usw., ohne dass dies auch nur ansatzweise gewollt wirkt. Er inszeniert virtuos, ohne seine Virtuosität jemals in den Vordergrund zu rücken. Absolut meisterlich ist bereits der Beginn des Films. Gezeigt wird das langsam erwachende Paris. Die nach und nach zunehmenden Geräusche werden von Mamoulian rhythmisiert und dieser Rhythmus dem Bildschnitt angepasst. Es ergibt sich schließlich so etwas wie eine (Pariser) Großstadtsinfonie, die den Rahmen abgibt für Maurice Chevaliers erstes ›Solo‹. Seine Figur befindet sich, wie man unschwer sehen und hören kann, im vollkommenen Einklang mit ihrer Umwelt.

Die Story ist, wie bei Filmen dieses Genres üblich, kaum der Rede wert. Es geht darum, dass Liebe letzlich auch alle Klassenschranken überwindet. Maurice (Maurice Chevalier) ist ein lebensfroher Pariser Schneider. Einer seiner Kunden, ein Vicomte (Charlie Ruggles), hat sich bei ihm verschuldet, wodurch Maurice schließlich auf den Landsitz der betreffenden adligen Familie gerät. Dort trifft er auf die charmante unverheiratete Tochter des Hauses (Jeanette MacDonald). Der auf Skandalvermeidung bedachte Vicomte stellt den Schneider als Mitglied des Hochadels vor, wodurch Maurice der Familie als überaus gute Partie gilt. Das geht eine Weile gut, bis der Schwindel irgendwann auffliegt und das (natürlich unvermeidliche) Happyend in weite Ferne zu rücken scheint.

Die Songs von Richard Rogers und Lorenz Hart sind natürlich zeitgebunden, aber immer noch spritzig, die Texte sind ironisch und bisweilen leicht frivol (was der Zensur durchaus Kopfzerbrechen bereitete). Wäre Maurice Chevalier nicht Maurice Chevalier, würde man seine Aussprache des Englischen sicherlich als grauenhaft bezeichnen. Aber bei Chevalier hat es die eigenartige Wirkung, seinen Charme noch zu steigern. Auch der Rest des Ensembles ist ausgezeichnet besetzt. In einer Nebenrolle kann man Myrna Loy entdecken.

Im Bereich des Musicals verdient »Love Me Tonight« ohne Zweifel den Klassikerstatus. Im Vergleich zu diesem Film wirken die meisten Dreißiger-Jahre-Musicals schwerfällig und zu sehr auf Tanz und Gesang konzentriert. Mamoulian gelingt es dagegen, den gesamten Film in Schwingungen zu versetzen.

Die vorliegende DVD von Kino International präsentiert den Film in ausgezeichneter Bild- und Tonqualität. Als Extras gibt es zwei zeitgenössische Filmaufnahmen von MacDonald und Chevalier sowie den originalen Trailer. Weiterhin enthält die DVD einen Audiokommentar von Miles Krueger, der auch den Booklet-Essay verfasst hat. Hinzu kommen eine Fotogalerie sowie Textdokumente (Auszüge aus Drehbuch und Zensurakten). Die DVD liegt in Regionalcode 0 vor, ist also auf allen einheimischen DVD-Playern problemlos abspielbar.
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filmfan cologne
1.0 out of 5 stars Region A - läuft nicht in Europa
Reviewed in Germany on September 14, 2023
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Die Blu ray läuft nicht in Europa, (Region 1 USA, NTSC) – Finger weg!
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JMC
4.0 out of 5 stars Copia buena
Reviewed in Spain on July 6, 2016
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La calidad de imagen es buena con un blanco y negro y contraste notable para una pelicula de 1932. La definición es buena. Los subtítulos en blanco como debe de ser.
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