Cinema has always been literary in its desire to tell stories and in its need to borrow plots and narrative techniques from novels, but the French New Wave directors of the 1950s self-consciously rejected the idea that film was a mere extension of literature. With subversive techniques that exploded traditional methods of film narrative, they embraced fragmentation and alienation. Their cinema would be literature's rival, not its apprentice. In this book, T. Jefferson Kline argues that the New Wave's rebellious stance is far more complex and problematic than critics have acknowledged. Challenging conventional views of film and literature in post-war France, Kline explores the New Wave's unconscious obsession with the tradition it claimed to reject. He uncovers the wide range of the literary and cultural texts - American films, classical mythology, French literature and a variety of Russian, Norwegian, German, and English writers and philosophers - as screened in seven films: Truffaut's Jules et Jim ; Malle's Les Amants ; Resnais's L'Annee derniere a Marienbad ; Chabrol's Le Beau Serge ; Rohmer's Ma Nuit chez Maud ; Bresson's Pickpocket ; and Godard's Pierrot le Fou .
Product Identifiers
Publisher
Johns Hopkins University Press
ISBN-13
9780801874314
eBay Product ID (ePID)
95573138
Product Key Features
Book Title
Screening the Text: Intertextuality in New Wave French Cinema
Author
T. Jefferson K Line
Format
Paperback
Language
English
Topic
Literature
Publication Year
2003
Number of Pages
320 Pages
Dimensions
Item Height
229mm
Item Width
152mm
Item Weight
499g
Additional Product Features
Title_Author
T. Jefferson K Line
Country/Region of Manufacture
United States
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