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Cambridge Studies in Film Ser.: The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror by Paul Coates (2008, Trade Paperback)

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This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521063361
ISBN-13
9780521063364
eBay Product ID (ePID)
66018558

Product Key Features

Author
Paul Coates
Publication Name
Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror
Format
Trade Paperback
Language
English
Publication Year
2008
Series
Cambridge Studies in Film Ser.
Type
Textbook
Number of Pages
304 Pages

Dimensions

Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
16.4 Oz

Additional Product Features

Lc Classification Number
Pn1993.5.G3 C64 1991
Reviews
"These readings are characterized by great sensitivity to the films in question and are driven forward less by argumentation than by a kind of free association informed by considerable knowledge of European film and literary history and psychoanalytic approaches to film. Often what results are brilliant insights and very persuasive connections..." Monatshefte, "...Coates' insights into individual films are sensitive and stimulating." Sheila K. Johnson, The German Quarterly
Table of Content
Preface; Acknowledgments; Introduction: the uncanny and the gorgon's gaze; 1. Silent cinema and expressionism; 2. The sleep of reason: monstrosity and disavowal; 3. Memory and repression in recent German cinema; 4. Expressionism in America; 5. Elective affinities and family resemblances: for Margarethe von Trotta; Appendixes; Notes; Selected bibliography; Filmography; Index.
Copyright Date
2008
Target Audience
Scholarly & Professional
Topic
Media Studies, Film / Genres / Crime, Film / History & Criticism
Dewey Decimal
791.430943
Dewey Edition
20
Illustrated
Yes
Genre
Social Science, Performing Arts

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Cambridge Studies in Film Ser.: The Gorgon's Gaze : German Cinema, Expressionism, and the Image of Horror by Paul Coates (2008, Trade Paperback)

About this product

Product Information

Product Identifiers

Product Key Features

Dimensions

Additional Product Features

All listings for this product

item 1 The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror (Paperb

item 2 The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror: By ...

item 3 The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror by Paul

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