Reviews
Goes beyond a mere reevaluation of film classics in matters of film and topic selection. . . . The essays offer readers fresh perspectives on . . . a cornucopia of undiscovered or relatively unknown filmic gems, paired with long overdue approaches of media studies . . . . [I]t genuinely rediscovers Germany's filmic legacy., An important contribution to the literature on Weimar cinema, originally published in 2010, now available in an economical paperback edition. . . . The editor, Christian Rogowski . . . places in focus not the canonical films of the time like Caligari , Nosferatu , or Metropolis , but instead important films of the 'second rank' and specific thematic connections. . . . Almost all the essays are conceived and formulated at a high level and make visible connections between film and society in the Weimar period. The approximately sixty images are helpful to the reader. . . ., Rogowski's outstanding collection moves beyond the familiar canon to reevaluate the diverse legacy of Weimar film...[P]rovide[s] new social, historical, and aesthetic contexts for understanding Weimar cinema and introduce[s] readers to less-familiar popular, abstract, documentary, and genre films., [A]n enormously important and didactically helpful intervention . . . . [The book] lives up to the promise of its title and should soon become mandatory reading for everyone interested in new perspectives on Weimar Cinema., A bold attempt at expanding the field and revising the standard literature. . . . on a formerly neglected set of films and topics. A detailed filmography provides useful information on availability., [T]he scholars' excitement about exploring this hitherto uncharted territory is palpable and infectious. The balance of theoretical scaffolding and ambitious storytelling make the articles . . . perfectly suited for undergraduates and should find ample use in film classes...[and] indeed should inspire more classes on the early years of German cinema.
