Ingmar Bergman

Ingmar Bergman

In the words of film critic Roger Ebert, “Some filmmakers are born. Ingmar Bergman was made. Self-made.” Ingmar Bergman is recognized as one of the most accomplished and influential auteurs of all time. He directed over sixty films for cinematic release and for television, most of which he also wrote. He also directed over 170 plays and from 1953 forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Bergman was born in 1918 in Uppsala, was the son of a Lutheran minister and was raised with a strict and intense religious upbringing. Since Bergman’s father was a clergyman Bergman described his home as a fortress of restriction, repeatedly being locked up in dark closets for ‘infractions’ like wetting the bed. Growing up, young Bergman became fascinated by the morbid themes of death and the bleak side of humanity which brought upon his fascination with Adolf Hitler and the horrors of the holocaust. Even though he was raised in a devout Lutheran household, Bergman later stated that he lost his faith at age eight, and only came to terms with this fact while filming Winter Light in 1963. Bergman originally started out working in the theater, but it was only when he began to direct films, most famously his earlier works Sawdust and Tinsel (1953) and The Magician (1958)you could finally see Bergman’s brooding and ghastly themes start to seep into his storylines. His big break came with Smiles of a Summer Night (1955), which became not only one of the few comedies Bergman ever directed, but the one commercial success that made him finally known to filmgoers. Because of the films success, Swedish studios gave Bergman more artistic freedom to choose the projects he wanted to do. In 1957 Bergman directed two of his most acclaimed films, The Seventh Seal and Wild Strawberries. Both films were well received but it was The Seventh Seal that would forever establish Bergman as a world-renowned director. The boldness of The Seventh Seal’s religious, ethical concerns on death, illness, faith, insanity and the absence of God was immediately apprehensible to people who were just beginning to discover the art of cinema at the time. With the rise of the ‘Auteur Theory’ The Seventh Seal suddenly was the quintessential art film of high school and college literature courses, and the iconic shot of Death playing chess with a Knight became a landmark in pop culture. Throughout the 60’s and 70’s Bergman began to modify such grim and existential subject matters by choosing much more thought provoking, psychological and complicated films like Persona (1966), Cries and Whispers (1972) and Scenes from a Marriage (1973). When making his epic swan song Fanny and Alexander in 1982 Bergman brought both the world of the stage and the cinema together, creating his most richly orchestrated work and splendor. The brilliant and philosophical Ingmar Bergman who had long mediated on his fears of death, as it became the subject in many of his greatest films, died at the age of 89 on his remote island of Fårö.



Ingmar Bergman
Ingmar Bergman Featured Films

Articles and Essays on Ingmar Bergman

Smiles of a Summer Night (1955)

Infidelity was one of the many bleak themes that Swedish director Ingmar Bergman dwelled on within his films and his early film Smiles of a Summer Night is one that greatly emphasizes that. Smiles of a Summer Night, Bergman’s witty sex comedy, came at a time in which Bergman’s marriage, and love affair was deteriorating, and he was extremely […]

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Virgin Spring, The (1960)

The Virgin Spring is one of Ingmar Bergman’s bleakest and disturbing films, a tragic story set in medieval Sweden about a young, pure daughter of a strong Christian family who is brutally raped and murdered by three ruthless herdsmen on her way to church to deliver candles for the Virgin Mary. The herdsmen eventually seek shelter at the victims […]

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Wild Strawberries (1957)

There is a frightening nightmare sequence in the beginning of Ingmar Bergman’s Wild Strawberries as you see an elderly man in the early morning walking among empty streets with ruined houses. The clocks all seem to have no hands and the streets are so silent that the elderly man is aware of the sound of his own […]

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Upcoming Death

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Cries and Whispers (1972)

Cries and Whispers is Ingmar Bergman’s most painful and emotionally excruciating film, involving three sisters who have nothing but contempt, bitterness, and disgust with one another and for themselves. The bleak story takes place in a lavish mansion in the late 1800’s, as it depicts the final days of one of the three sisters who is bed-ridden […]

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Ingmar Bergman
Cambridge Film Classics The Films of Ingmar Bergman by Jesse Kalin 2003
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Him No92 September 1971 Ingmar Bergman
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G5111 INGMAR BERGMAN collection of 21 original spanish pressbook
g5111 ingmar bergman collection of 21 original spanish pressbook
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Cambridge Film Handbooks Ingmar Bergmans Persona 1999 Paperback
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